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Salsa And Afro Cuban Montunos For Piano Pdf Download. (tres), melody, harmony, and lyrical traditions with Afro- Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 1. Afro- Cuban jazz, salsa, soukous, many West African re- adaptations of. Salsa, Afro Cuban Montunos For Guitar' Book/CD. Includes play-a-long CD. Written in both standard and TAB form, this book of authentic montunos will help you to understand this exciting musical style and to relax and thrive in Salsa settings.
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A.D.G. Productions, music educational publishers are proud to announce the release of author/music educator Carlos Campos new 92 page book with audio CD and or MIDI files 'Merengue Piano Styles' possibly the first commercially available book on this subject.
This book is the latest addition to Carlos Campos' series of Afro-Latin books for keyboard. Mr. Campos' previous books in this genre are Salsa: Afro-Cuban Montunos for Piano, Salsa: Further Adventures in Afro-Cuban Music, Latin Jazz Piano Vol. 1, Ultimate Latin Riffs and Salsa: Afro-Cuban Montunos for Guitar.
In Merengue Piano Styles, Mr. Campos delves into an aspect of the music of the Dominican Republic called merengue, known for its intricate rhythms and ultra fast tempos. Mr. Campos divides most of the examples in this book into 'Derecho' and 'Pambiche' styles. Selected examples are included in the accompanying CD, recorded at different tempos. Tracks containing bass and percussion only are also included.
Salsa Afro Cuban Montunos For Piano Cd Rares
The complete set of recordings containing every example in this book are also available in high quality mp3 files (over 300 megabytes of mp3 files) and/or midi files.
While living in Boston, Carlos Campos spent many years studying and performing this particular genre with many merengue bands in the New England area. He later arranged, produced and recorded for several merengue artists. In the past, the only way to learn how to play the different styles of Afro-Latin music was to live in an area where that music genre was already very popular, so that one might connect with as many authentic musicians as possible, learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish.
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Even though the process of immersing oneself fully and experientially into the musical style of our choosing is absolutely necessary for our musical growth, the need for concise, well-written and organized materials, written by someone who knows and lives this type of music is also essential.
We at ADG believe that Mr. Campos' books have done a great service to the musical community by making Afro-Latin musical styles more accessible to students worldwide. We hope that this book and the rest of Mr. Campos' books find a special place in your musical world and that they become an integral part of your daily musical practice. Available from the publishers website or from music retailers world wide.
If you are just getting into Afro Cuban guitar playing this is a good supplement to a basic book. I would agree with another reviewer that it gets a bit repetitious after a point. I consider that a good thing. It is very complete and the feedback illustrates that you're 'getting it' and learning by being able to predict the forms.This book is really the book 'Salsa & Afro Cuban Montunos for Piano' but simplified a bit and laid out in tab. To make room for the tab there are fewer Montunos in this book than the Piano book. There is also a smaller explanation section. I would also ask if there are some interesting differences that could have been explored with the guitar but are not even touched since this is just a piano to guitar translation. If you can read sheet music then you would be better off with the piano book in my opinion. If you already have the piano book ('Salsa & Afro Cuban Montunos for Piano') then don't buy this volume since you'll be just duplicating what you already have. It should be more clearly stated about this. Comments are closed.
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